Black Panther fed my spirit.

I’ve always enjoyed superhero stories. I love science fiction and fantasy, and comic books almost always contain a little bit of both. I’ll admit that before the movie came out, I didn’t know much about Black Panther other than the fact that he existed. I watched the miniseries back in 2010, but that was it.

As you can see, the production value is decidedly subpar. But the story was good and the voice talent (Djimon Hounsou, Jill Scott, Kerry Washington, Alfre Woodard) was great. I thoroughly enjoyed it, but promptly forgot it existed as I had no real expectation of ever seeing  a live action version. I watched Blade but never really got into it. Halle Berry as Storm in the X-Men movies was a disappointment, Halle Berry as Catwoman was an even bigger disappointment. Don Cheadle was good as War Machine but he was still a sidekick. It was a feel good moment, but not one that made me run to theater.

Then Chadwick Boseman showed up as Black Panther in Captain America: Civil War, and Marvel announced a Black Panther movie and I was excited. As casting news kept trickling out, I got even more hyped up. My brother (an OG comics nerd) has watched all the #BlackPantherSoLit and #InWakanda feverishness with a detached skepticism. I’m a skeptic too, but I couldn’t suppress my inner child on this one.  We went from a low budget cartoon on BET to this:

I GLADLY bought my opening weekend movie ticket almost two months beforehand.

*******SPOILERS FROM THIS POINT ON********

Black Panther was EVERYTHING. It felt so good to watch a movie where black people and black problems and black culture were the focus, and not an afterthought. The production was loving and thorough, as each Wakandan tribe incorporated references to actual African cultural clothing, hairstyles, and rituals.

Thread on African tribes/cultures featured in #BlackPanther. #Wakanda

— Waris (@diasporicblues) February 17, 2018

Best of all, the women were the black women I know in my own life–fierce, sexy, competent, multifaceted. Wakanda’s elite fighting force is all female. They rock bald heads and armor but still retain their femininity. Their general had a black male lover who respected her. T’Challa was in love with a covert operative who wants to serve not only Wakanda, but disenfranchised people all over the world–and we catch her in the middle of a mission to save African women from being sold into the sex trade. And all four of the women featured in the main cast are brown to dark skinned. It just felt so good to see women of my complexion being both objects of affection and trusted advisors to royalty.

So often the token black person in media is lightskinned; recently, more and more often they also look mixed and/or racially ambiguous. Kill all the diversity birds with one stone, as it were. But Black Panther is different. Because Wakanda is an African country untouched by colonizers, the Wakandans are overwhelmingly dark skinned–with natural hair! I’ve honestly never seen this in a movie that wasn’t about slavery. Wakanda is the Africa that exists in every black American’s mind, a myth of what could have been if slavery had never happened.

Lupe Fiasco captured this feeling in the track “All Black Everything” on his Lasers album. It’s one of my favorite songs of his, but it makes me feel so emotional that I can’t just listen to it at any old time. The first time I heard it, I felt chills down my spine and tears pricked my eyes. I’m an African American descendant of slaves; I’ve actually seen my ancestor’s burial grounds and the record that reduces his life to a mark on a tally sheet and a  comment  in the margins that “He was a good slave”. I am also descended from the Muscogee/Creek Indian tribe, a tribe whose remnants exist mostly on a reservation in Oklahoma.

But Black Panther takes us a step beyond the color blind utopia that Lupe imagined, into a world where Blackness is, at least in one corner of the world, undefeated. It’s supreme, even, and because the Wakandans were  more concerned with pursuing excellence than being conquerors, no one else had to be oppressed in order for them to thrive. However, their choice to remain isolated means that the rest of history still unfolded as we know it. Could a small but technologically advanced country have defeated colonization on the African continent, creating a unity of nations so powerful that it stopped slavery long before the Civil War? We don’t know. But Erik Killmonger’s (righteous) anger at Wakanda stems from a feeling of abandonment, that Wakanda was strong enough to help its brothers and sisters in the diaspora and chose to turn away instead.

Killmonger was a powerful villain because in him, I recognized the same anger I feel whenever another black person is gunned down by the police, or gets a sentence three times harsher than the one given to the white person who committed the same crime. I feel that anger when I hear rhetoric about welfare queens and entitlement mentalities. To keep it 100% real, I felt that anger when I heard Africans complaining about black people wearing kente cloth and dashikis to the movie theater. My roots are lost to me. Ancestry.com can tell me I’m from Nigeria and most likely of the Yoruba tribe. But I don’t have a cousin whose house I can stay at. I don’t know what village I’m from. And anti-American sentiments are widespread enough in Africa that I wouldn’t necessarily be welcomed if I went exploring to find out.

The conflict between Killmonger and T’Challa is one that every African-American descendant of slaves faces. Do we fight and live  solely to protect ourselves and our families from the dangerous forces of white supremacy? Or do we share our resources in order to preserve Blackness across the country and across the world? It’s a hard choice, especially so because white supremacy is so vicious and the resources that we have are not nearly as much or as organized as Wakanda. We don’t have vibranium weapons to ship to the hood, or a superpowered king who can bring in allies from the United Nations. We all we got.

Even though Black Panther grappled with some heavy questions, I left the theater feeling lighter spiritually. For a couple of hours, I was in Wakanda; and there at least, black people would get a happy ending.